The Emily Dickinson, located on Main Street in Amherst, is the birthplace and life-long home of the poet and her family. Born in 1830, Emily Dickinson is believed to have written most of her work from her upstairs bedroom. Beginning in the 1850s, Emily's father, Edward Dickinson, began transforming the Federal style home into a mid 19th century gentleman's farm, complete with a livestock barn, orchard, vegetable and flower garden. To provide separation for his family from the busy thoroughfare of Main Street, he constructed a picket-style wooden fence along property edge, and backed it with a 6' high hemlock hedge. By the mid 20th century the property had changed ownership and maintenance of the hedge had ceased. The hemlocks grew into mature trees, and fence deteriorated and was subsequently removed. In 2008, the Emily Dickinson Museum hired Martha Lyon Landscape Architecture, LLC to prepare the drawings and specifications for reconstruction of the hedge and fence. Using remnant fence pieces and historic photographs, MLLA prepared a reconstruction design, including the original fence color, determined through paint analysis to be an herbal shade of green. Reconstruction took place during the spring and summer of 2009, and as a result, the Homestead is now the highly visible property it was during Emily Dickinson's life. Concurrent with the hedge and fence project was the development of a Cultural Landscape Report for the property, completed by MLLA in early 2010.
Built in 1754, the Bellamy-Ferriday house was home to the Town of Bethlehem's first minister, Joseph Bellamy, and two generations of Bellamys that followed. The family maintained the property as a working farm, complete with sheep, dairy cows, pastures and meadows. In 1912, New Yorkers Henry and Eliza Ferriday and daughter Caroline purchased the property, converting it to a Country Place Era retreat and naming it "The Hay." Eliza and Caroline created several garden spaces, or "outdoor rooms" around the property, and had constructed a formal parterre containing a central fountain. Caroline maintained The Hay until 1990, when she died and bequeathed the property to Connecticut Landmarks. In 2008, Connecticut Landmarks hired Martha Lyon Landscape Architecture, LLC to develop an interpretive guide to the Bellamy-Ferriday House landscape. The project involved researching the landscape's history, documenting its changes, and preparing written descriptions of its current form. Together with hand-drawn graphics and photographs, the text guides visitors through the landscape, providing information about the design, planting, and ornamentation of its many "outdoor rooms." The 11" x 17" fold-out brochure was printed in full color and made available at the visitor center and shop of the Bellamy-Ferriday House.
Built in 1906-07, the Oren C. Sanborn House -- Aigremont -- sits on one of Winchester's highest points, with a commanding view of the town. The house was designed by the architectural firm of Clinton M. Hill and Thomas M. James in the Beaux Arts style and in the early 1900s, had a landscape to match. It served as a residence for Sanborn and Downes Families in the first part of the 20th century, but later became a Catholic school and offices for the town. Lack of funds for maintenance led to deterioration of the house and decline of the grounds toward the latter half of the 1900s. In 2005, Martha Lyon Landscape Architecture (MLLA) collaborated with Red Hawk Studio Architects, Inc. to prepare a feasibility study for preserving and re- using the building and grounds for the Winchester Historical Society. The landscape portion of the plan called for restoring the original east lawn and serpentine drive, as well as a formal garden. MLLA introduced a new entry drive allowing visitors to the Sanborn House access from one of Winchester's main thoroughfares, Cambridge Street. A new parking area, sandwiched between the main house and carriage house, provided space for over 40 cars. A new handicapped accessible ramp offered a new entry to the house via an existing service court, located on the north side of the building.
The Faulkner Homestead, Acton's oldest extant property, was built ca. 1707 by one of the town's first settlers, Ephriam Jones, atop a hill overlooking Fort Pond Brook. Ammi Faulkner acquired the property in 1742 and developed it into a farm, and it remained in the Faulkner family through 1940. The last Faulkner family owner, Sophia Faulkner Campbell, transformed the house and land into a summer retreat. In 1968/1969, a non-profit organization, The Ironwork Farm in Acton, Inc. purchased the house and six acres to be used for educational purposes. In 2009, Martha Lyon Landscape Architecture, LLC collaborated with Red Hawk Studio Architects, Inc. and Agricola Corporation to prepare a master plan for the house and surrounding property. The project included researching and documenting the site's history, assessing its existing conditions, and preparing a schematic design for its future use as a museum of early Acton history. Site features included a re-located entry drive, a 14-car parking area (tucked into the former barn foundation), a drop off for school busses, a reconstructed apple orchard, and footpaths, leading to all parts of the historic farm property.
The Roxbury Heritage State Park, located in the heart of Boston's Roxbury neighborhood, was created in the early 1980s as part of a State-wide system of urban parks, dedicated to celebrating Massachusetts history. The park includes the 18th century Dillaway-Thomas House, as well as a small green space, managed and maintained by the Department of Conservation and Recreation. In 2014, Governor Deval Patrick set aside funds to restore the park and house, and upgrade the interpretive programming, making it one of his signature projects. In early 2014, Martha Lyon Landscape Architecture, LLC teamed with a group of planning and design professionals to restore the park. With the team, MLLA engaged in an extensive public outreach program -- including several public workshops, individual and group interviews and school group visits -- to help identify park improvements. The result was a new plan for the landscape, featuring a perimeter pathway, oval performance space, a series of puddingstone gardens, and a revitalized and enhanced fruit orchard, all intended to promote broader and more active use of the site.
Located on Main Street in the center of Wellfleet's historic village, the Wellfleet Historical Society and Museum had operated for many years out of two historic buildings, separated by a third. Recently, the third became available for purchase, and as a way of expanding its programming and exhibition space, the museum bought the property with the goal creating one unified campus. The society hired Mark Almeda Architects, PC to combine the three buildings, renovate the interiors, and design an addition. Martha Lyon Landscape Architecture developed the landscape plan, providing outdoor spaces for public gatherings and accommodating staff needs. Included in the plan are a paved plaza in front of the museum along Main Street; a grassy lawn in the rear large enough to hold a tent; parking for four staff vehicles; and ADA-compliant walkways leading to front and rear entrances.
In the first decade of the 19th century, Warren Hull migrated from New England to the western frontier of New York State to clear and farm land purchased from the Holland Land Company. His wife, Polly, soon followed and the couple built a Federal style limestone house where they raised eleven children. While the Hulls left Lancaster in the 1830s, the property remained in farming well into the 19th century. After several transfers of ownership, and several decades of neglect, the property was acquired in 2003 by a non-profit preservation organization, and efforts have begun to restore the house and grounds as a museum of the western frontier. Martha Lyon Landscape Architecture, LLC completed a cultural landscape report for the property, and developed a schematic design for the landscape. The design included visitor amenities and services, established a frontier-era garden on the grounds, and set aside a portion of the former farmlands for an enhanced habitat for grassland bird species.